for many of our readers Markku Lehmuskallio won’t need an introduction. He is a world acclaimed film maker, and a friend of our team. Some of you may remember their previous visit, when we hosted them with some reindeer meat. See here https://arcticanthropology.org/2012/08/31/anastasia-lapsui-and-markku-lehmusskallio-guests-of-the-team-in-rovaniemi/
This time Markku continues his loyalty to us in the North and comes on Friday 30 October to Rovaniemi for screening his most recent film, “ANERCA-, BREATH OF LIFE“. The screening itself is in the Rovaniemi cinema BioRex at 16:30. But before that we have the honour to meet with Markku and his colleague, Juha Elomäki, for an hour, at 15:00, in the Thule room in the Arctic Centre. Due to covid-19 we cannot invite everybody, but a limited number of people to this event. If you want to come and you are not a member of the anthropology team in Rovaniemi, please write a short note that you intend to come, to fstammle(at)ulapland.fi , so we can keep track of the numbers of people (also for cooking enough coffee:))
Here some background about the film, which is a co-production between father and son – Markku and Johannes Lehmuskallio:
ANERCA-, BREATH OF LIFE (Finland 2020) 86 min, JURY PRIZE RÉGION DE NYON (CHF 10’000): MOST INNOVATIVE FEATURE FILM
A history of conquests and land exploitation we never heard of. A film where ethnography is looking for a new mesmerizing language, giving us the complexity of reality.
A narrative film about the world of people living in the Arctic, their situation as it is right now.
The film progresses through the power of music, dance, performance and depiction of everyday life. Gaining your daily sibsistence, the ordinary life is the central source for music and other kinds of selfexpression. It is life itself breathing.
Markku Lehmuskallio has devoted the majority of his films to the indigenous people of the Arctic Circle, co-directed with Anastasia Lapsui, his Nenets partner. In Anerca, Breath of Life co-created with his son Johannes, the Finnish filmmakers set off to discover, among others, the Chukchi, Inuit, and Sami peoples, who have had to learn to live, from Russia to Alaska, on territories whose borders are redefined by white conquerors in the name of a deadly ideology of progress. Bringing together testimonies, archives, sung or danced performances caught on camera, the two directors are not exploring the traditional lifestyles of these nomad communities—in the manner of Flaherty and the seminal Nanook of the North—mistreated by predatory policies that have sought to deny their irreducible difference, but what they call a “vital breath”. Their poetic and contemporary ethnography focuses much more on the inner world of these peoples, inseparable from forms of existence shaped over time, like so many seeds in a shared imagination that continues to animate bodies and spirits. (Text by Emmanuel Chicon)
